National Song and Abyssinia.
Whom exactly were the Victorians? Their History in all, is never truly well told {and as with Eurocentrism that is}, but can very well be seen in all again, from three main perspectives: Ritual, Traditions and Community {and as with seeing them as such, helping one recognize in all too even, their being in all again, African in many ways actually}.
To see the Victorians from the perspective of Community, is to see them in all again, from the perspective of Popular Communications perhaps {and as with stating that Victorian English, and Victorian Popular Communications in all too really more or less do actually sound like (and as with grammatical structure that is), very much like African/Egyptian languages (and as with being controversial too and saying that, Victorian English does approach Kiswahili as a Language and in Grammatical structure too, and not English as seen truly, in Europe/England that is (and as with Victorian and 'European/England' English, simply sharing in all, a similar vocabulary in all too really)}.
To see the Victorians from Ritual, is to in many ways even see them as African actually {and as with the Fulani/Woodabe for instance (and with whom the Victorians in all, do share a similar physical likeness to)}, and African too in all again, highly from their Interactional skills actually {and as with the Victorians in all that is, generally interacting as Africans/Egyptians do in all interact actually (and as with the Victorians in general and in all too really, generally interacting in all, as Connoisseurs actually)} {and as with being a Connoisseur too even, having defined Egyptian Social life and in many ways too that is} {and as with furtherly stating that, Kenya's popular 'Meat Roasting/Eating' culture in all, actually does have Victorian origins to it (and not Maasai/Cushitic origins either actually)}.
You also do finally have Victorian Traditions in all, and it is here that the Victorians in all again can easily be split into those in Kenya, and those in England too. And with those seen in England, highly centered around Victorian Society and as circling around the Queen (Victoria) that is, while those in Kenya did engage in a Victorian Society in all again, highly circling around Victorian Private Organizations in all {but as with these Organizations operating formally in many ways, in a manner that one could readily recognize as being African actually (and as with speak too even, of formal greetings, formal salutations, or even truly again, formal decrees/announcements that is)} {but with these Organizations in all again, recognizing the Queen (Victoria), as their supreme head and in all ways even}.
In many ways perhaps and as with finalizing all this is to say that, the above Song in all and by Edward Elgar too, does truly represent what is Victorian in many ways truly, with Abyssinia in all {as with this truly in all again, speaking of Victorian Song (and as with Community, Ritual and Traditions too that is)} {and as with saying that, it is the Victorians in all, and as defined as being African as such (above), that truly in all again, does speak of whom traditionally has been seen as Kenyan for instance (and whom has not)} {and as with furtherly stating that, most so called 'African' Tribes in Kenya (and as including the Kikuyu, the Kamba and Luo too actually), are actually a mishmash of Slaves from the Middle East, Migrant Labour from Asia, and wandering Africans too, and from the Congo & 'Southern Africa' that is (and as with saying truly that, there is nothing truly African in all, about them actually, and from the perspective too, of Community, Ritual and Traditions in all too really)} {but with they in all again, being mainly similar in Ritual, Community and Traditions, and as seen in the Middle East and Asia too actually (and if in all again, Community, Ritual and Tradition in Africa, can somewhat mainly be associated in all too really, with the Khoi/Bushmen, the Fulani and the Pygmies of Central Africa too that is)}.
Hasta la vista
Chip Donaldson
Whom exactly were the Victorians? Their History in all, is never truly well told {and as with Eurocentrism that is}, but can very well be seen in all again, from three main perspectives: Ritual, Traditions and Community {and as with seeing them as such, helping one recognize in all too even, their being in all again, African in many ways actually}.
To see the Victorians from the perspective of Community, is to see them in all again, from the perspective of Popular Communications perhaps {and as with stating that Victorian English, and Victorian Popular Communications in all too really more or less do actually sound like (and as with grammatical structure that is), very much like African/Egyptian languages (and as with being controversial too and saying that, Victorian English does approach Kiswahili as a Language and in Grammatical structure too, and not English as seen truly, in Europe/England that is (and as with Victorian and 'European/England' English, simply sharing in all, a similar vocabulary in all too really)}.
To see the Victorians from Ritual, is to in many ways even see them as African actually {and as with the Fulani/Woodabe for instance (and with whom the Victorians in all, do share a similar physical likeness to)}, and African too in all again, highly from their Interactional skills actually {and as with the Victorians in all that is, generally interacting as Africans/Egyptians do in all interact actually (and as with the Victorians in general and in all too really, generally interacting in all, as Connoisseurs actually)} {and as with being a Connoisseur too even, having defined Egyptian Social life and in many ways too that is} {and as with furtherly stating that, Kenya's popular 'Meat Roasting/Eating' culture in all, actually does have Victorian origins to it (and not Maasai/Cushitic origins either actually)}.
You also do finally have Victorian Traditions in all, and it is here that the Victorians in all again can easily be split into those in Kenya, and those in England too. And with those seen in England, highly centered around Victorian Society and as circling around the Queen (Victoria) that is, while those in Kenya did engage in a Victorian Society in all again, highly circling around Victorian Private Organizations in all {but as with these Organizations operating formally in many ways, in a manner that one could readily recognize as being African actually (and as with speak too even, of formal greetings, formal salutations, or even truly again, formal decrees/announcements that is)} {but with these Organizations in all again, recognizing the Queen (Victoria), as their supreme head and in all ways even}.
In many ways perhaps and as with finalizing all this is to say that, the above Song in all and by Edward Elgar too, does truly represent what is Victorian in many ways truly, with Abyssinia in all {as with this truly in all again, speaking of Victorian Song (and as with Community, Ritual and Traditions too that is)} {and as with saying that, it is the Victorians in all, and as defined as being African as such (above), that truly in all again, does speak of whom traditionally has been seen as Kenyan for instance (and whom has not)} {and as with furtherly stating that, most so called 'African' Tribes in Kenya (and as including the Kikuyu, the Kamba and Luo too actually), are actually a mishmash of Slaves from the Middle East, Migrant Labour from Asia, and wandering Africans too, and from the Congo & 'Southern Africa' that is (and as with saying truly that, there is nothing truly African in all, about them actually, and from the perspective too, of Community, Ritual and Traditions in all too really)} {but with they in all again, being mainly similar in Ritual, Community and Traditions, and as seen in the Middle East and Asia too actually (and if in all again, Community, Ritual and Tradition in Africa, can somewhat mainly be associated in all too really, with the Khoi/Bushmen, the Fulani and the Pygmies of Central Africa too that is)}.
Hasta la vista
Chip Donaldson
