For Abyssinia in all, to be truly even, recognizable to those who do actually live in it, it must therefore, have its very own major Artform in all truly. Due to this, it is therefore highly recommended in all again (and as with Mysticism too that is), that Oil Paintings in all (and as accompanied in all too really, by Drawings in the form of Sketches), be seen truly as, the major Artform of Abyssinia in all really, and not Music either {and as many perhaps, and as with Africa too even, would readily be prone to believe in actually)} {and with Europe again, actually highly defined by Acrylic Paintings in all, while the Victorians on the otherhand did truly in all, engage in Watercolour Paintings only}.
The works of Tolkien below 'the Histories of Middle Earth' are in many ways too really, recommended in all and with regards to all this {Oil Paintings and Sketches that is}, and as in saying that, these works (and as with most of Tolkiens other works), are not known to belong to any Culture seen in the World today actually, but in all truly, are truly in alignment with Abyssinia as they do in all again, speak of the Ancient actually {and all this truly again, to be at the very worst perceived in all from the perspective of 'Cultural Theft' pertaining to Mysticism in all (or the English Language in all really)}.
Farvel
'the European Moor'
