The Sacred and Abyssinia.
The very world perhaps, of Art originating from Egypt, has never truly been fully explored actually. For Artists in Egypt in many ways truly, sought to create/re-create Art, that in all represented, just about any form of Religious Manifestation out there in all truly, but surprisingly too, all this Art again, emanating from Dance and as seen in Egypt itself actually {and as with saying that, Art from Egypt was highly varied in its range and scope, and this in many ways too, speaks of just how highly complex even, Dance in Egypt truly was (and as in saying that, all Art in Egypt and including even Egyptian lifestyles in all, seemed very much to emanate from it all actually)} {and with a further belief that, Dance, an Artform in all and one rather difficult to master actually, and rather highly complex even, might be at the very root in all even, of just why Egypt in all, truly rose rather fast actually, from Society to Civilization itself}.
Most out there never do think about just whom they are in all, and as with regards even, to simply being Scared actually {meaning in all again, having a deep sense of worth of oneself, despite whatever good, bad or evil even, that might in all, just happen in all even, to one actually}. For those in Abyssinia is to say in all again that, the Sculpture seen above, actually in all truly perhaps even, represents the Sacred, and as seen in everyday Egypt too really {but a form of the Sacred, highly suited in all, for Abyssinia actually}.
For those not in agreement perhaps, and wish to seek their own form of the Sacred, one could very well be advised to turn in all again, to Transfigural Mathematics actually {and as with its Study even that is}, or even truly, simply identifying in all even, with the Biblical Story of Joseph actually {as with it even again, a rather fine representation of the Sacred in all, and the Sacred too, not differing in most ways even perhaps, from the above Sculpture actually (and as with speak of the similarities between Abyssinia in all and Egypt too really)}.
@@ as a further note is to say that, the Sacred in all, is in many ways even, what Sigmund Freud did call, the Ego, the Ego-Ideal, and finally even, the Ideal-Ego in all too really.
'the Moor'
'the Net', Durnham-Nairobi
The very world perhaps, of Art originating from Egypt, has never truly been fully explored actually. For Artists in Egypt in many ways truly, sought to create/re-create Art, that in all represented, just about any form of Religious Manifestation out there in all truly, but surprisingly too, all this Art again, emanating from Dance and as seen in Egypt itself actually {and as with saying that, Art from Egypt was highly varied in its range and scope, and this in many ways too, speaks of just how highly complex even, Dance in Egypt truly was (and as in saying that, all Art in Egypt and including even Egyptian lifestyles in all, seemed very much to emanate from it all actually)} {and with a further belief that, Dance, an Artform in all and one rather difficult to master actually, and rather highly complex even, might be at the very root in all even, of just why Egypt in all, truly rose rather fast actually, from Society to Civilization itself}.
Most out there never do think about just whom they are in all, and as with regards even, to simply being Scared actually {meaning in all again, having a deep sense of worth of oneself, despite whatever good, bad or evil even, that might in all, just happen in all even, to one actually}. For those in Abyssinia is to say in all again that, the Sculpture seen above, actually in all truly perhaps even, represents the Sacred, and as seen in everyday Egypt too really {but a form of the Sacred, highly suited in all, for Abyssinia actually}.
For those not in agreement perhaps, and wish to seek their own form of the Sacred, one could very well be advised to turn in all again, to Transfigural Mathematics actually {and as with its Study even that is}, or even truly, simply identifying in all even, with the Biblical Story of Joseph actually {as with it even again, a rather fine representation of the Sacred in all, and the Sacred too, not differing in most ways even perhaps, from the above Sculpture actually (and as with speak of the similarities between Abyssinia in all and Egypt too really)}.
@@ as a further note is to say that, the Sacred in all, is in many ways even, what Sigmund Freud did call, the Ego, the Ego-Ideal, and finally even, the Ideal-Ego in all too really.
'the Moor'
'the Net', Durnham-Nairobi
