Vienna/Austria

Vienna/Austria.

When most do think, of Europe as a whole, they often falsely tend to believe that London or Paris, are truly in all again, a true representative in all, of Europe as a whole actually. They in all too really, tend to falsely view this in all too even, from a more or less an Architectural perspective that is {that European Architecture in all, is best represented in all again, by Paris or London, or even truly that, Architecture in Paris or London in itself, truly speaks of the heights, of European Architecture in itself actually}. In actuality though, it has always been Vienna/Austria, that has always been the home of European Architecture in all {and as with Architecture in Vienna/Austria, a representative in all again, of Architecture and as seen in the rest of Europe (from Russia to Portugal, minus Spain, and all this too, allowing for one to see the Scandinavia/Nordic Countries in all too really, as somewhat distinct in all again, from the rest of Europe actually)} {and with Architecture in Vienna, the best way in all again, to see Italy even, as very much distinct in all again, and from the rest/whole of Europe too that is} .



In all too really though, Vienna/Austria in many ways, is the very true home in all, of European culture as a whole actually {and as with it housing even, the European Shakespearean world that is}, and in all ways truly even, not only is Vienna Europe's Prime/Capital City in all, but in all ways even, speak of nothing much today happening in Europe, is speak in all again of the very fact that, Vienna/Austria, is very much a 'dead' place and in all ways even {and as with culturally speaking too that is} {and with the Arthurian world in Austria, associated in all again, with the City of Salzburg actually (and as with it even, more often associated in all today, with Mozart, and not Robin or Arthur either)}.


Hasta

Chip Donaldson

Ancient Britain

Ancient Britain.

There is often a rather false belief that, Europe in all, is actually a Worldly Continent {and as with saying that, it is often believed in all again that its Successes in all, actually do belong to just about anyone out there, and who does identify with them actually (and as with this, rather easily in all too even, to do actually)}. In truth though, European Success, does have its origins in a place many often do not think about and in all too actually: it being Ancient Britain too that is. For it was in Ancient Britain, that just about all forms of European Symbolism in all, did originate from {as with speak even, of Symbolism associated with Success too that is}, and that in all again, there is a rather false belief in all that, Europe in all, is a mishmash in all too even, of Egypt (and as with Religious Symbolism), Greece (and as with Knowledge/Philosophy in all), or even truly again Italian somewhat (and as with Religious Imagery too actually). In truth though, European Symbolism, Knowledge (and everyday too even), and Imagery too actually, does highly have its origins in all, in Ancient Britain actually {and as with saying in all again that, European Success in all too really, truly does belong with Europeans and who can in all again, trace their histories back in one way or another, and to Ancient Britain too that is}.


Farvel

'the European Moor'

'Tribal Art'

'Tribal Art'

There is often a topic of discussion amongst many an African today, on just how African, not only Abyssinia {Ethiopia, Kenya, Somalia} truly is (and as with speak of physical looks even that is), but truly in all again, this extending in many ways, to talk of just how African in all too really, Eastern Africa, truly is. All this said because, there is often a belief that only Central and Western Africa, are truly African in all, and that the Nubians and Egyptians of old, were actually more or less truly like them, and not like other Africans either that is {and as with these discussions in all too even, not knowing exactly what to do with North Africa as a whole (and as with they going as far even, as simply labeling North Africa in all, as Islam/Islamic, christian or Jewish too actually}.

In many ways truly, and as with speak too even of being African that is, and as with regards to Abyssinia too {Ethiopia, Kenya, Somalia}, it all in many ways, does come down to the very question of what truly does constitute in all again, genuine African 'Tribal Art' {and as with speak too even, of Ethnography that is}. A rather difficult question and due to the very fact that, when most do speak of African 'Tribal Art', they never do factor Egypt into the 'equation' in itself actually {and as with Egypt now, deemed a standalone Civilization in all, and somewhat even, similar to the Greeks, or even truly again, a part of the Middle East in many ways truly (and as with the Greeks too, having been highly civilized/adept at creating 'Tribal'/Ethnographic Art that is (and speak too even, of Trojans, Trajan, Sparta etc.))}.

In speaking on Abyssinia {Ethiopia, Kenya, Somalia}, and as with regards to all this, is to say that, descriptors in all again (and talk too really), of Abyssinia (or Kenya specifically even), being 'African' or 'European' in many ways truly, does come down to this very issue, of 'Tribal Art' actually {that in Kenya in all, there does exist Art that is somewhat 'African', and others (and as with speak too even of popular writings that is), more or less 'European' in nature actually (and as with stating that, 'African' writings and such as those of Wole Soyinka, do exist in all too really)}.

On further speak of what truly in all again, does constitute 'African' in Abyssinia {Ethiopia, Kenya, Somalia}, is to in all again speak of classifications within society in Abyssinia, that does classify 'African' as being Bantu, Nilotic, or finally Cushitic too actually. This kind of talk in all again, always actually does come down to 'Tribal/Ethnographic Art' {and as with that in Eastern Africa in all too really, more or less pertaining to 'Knowledge Networks' (and general problem solving too that is: and as with the case even, of Gikuyu music and by the likes of Joseph Kamaru for instance), while 'Tribal/Ethnographic Art' in Central/Western Africa, is highly Religious in nature actually, and with that seen in Southern Africa on the otherhand, speaking highly of Gender & Age classifications/issues and in many ways truly}. To make this even far more difficult is to say that, so called 'African Tribal/Ethnographic Art' in Eastern Africa {and as classified often as Bantu, Nilotic and Cushitic}, is actually in all again, a mishmash even, of 'Tribal Art' in all, coming in from the Middle East, Asia (and as with the music of Joseph Kamaru too for instance), Cushitic tribes in Abyssinia {Ethiopia, Kenya, Somalia}, Islamic Art {and via the Sudan, Eritrea or Djibouti too even}, and finally in all again, that from Central Africa actually {and as with alot even, of the gospel like singing heard in an 'African' Church or two in Abyssinia, more or less sounding like Central African singing}. As a result, and as with further speak even of physical looks that is, there is a troubling question in all again, of just how in all, to truly classify those within Eastern Africa {and as with regards truly, to what does truly signify Africa in all, and especially as with regards to 'Tribal/Ethnographic Art' that is}.



In many ways and in all too really, speaking on all this and psychologically that is, speaks of and in all too really, thinking of 'African' and 'European', and more or less from a Lingual Model of the Human being actually {and as with a Human that is, primarily said to constitute of a Long-term Memory, Working Memory, and a Preconscious Memory too actually}. In viewing a Human being as such, is to in all again speak of just how Human beings in all, do actually process Knowledge {and as with speak too even, of distilling Knowledge highly associated in all again, with Long-term Memory, Internalizing Knowledge and Working Memory, and memorizing Knowledge in all too really, and as with regards to Preconscious Memory that is}. To speak of a Human being as such, is to in all again say that, there are those {and as with speak too even of Abyssinia (Ethiopia, Kenya, Somalia) specifically that is}, who do in all again, process (distill, internalize, memorize) Knowledge in all too really, rather easily, and if Presented/Formatted in all, and in a rather 'European' fashion, and as compared to an 'African' fashion that is {and as with saying that, Asian 'Tribal/Ethnographic Art/Knowledge' in all, does somewhat mirror that of Africa, and as with regards, to presentation/formatting that is (and as with furtherly stating that, there is something in all again, and at the very least from the perspective of the 'Life Force' that is, that does differentiate Abyssinia in all, and from the rest of Africa too and in all ways too even)}.

In all, one does find that, there are those within Abyssinia, and who are in all, are rather 'European' {and as with speak too even, of processing/storing Knowledge that is}, and not truly 'African'/African either {and as with furtherly stating that, these 'European' populations in all, have always been the majority in Abyssinia (and especially Kenya), and not the 'African'/African populations either} {and as with expounding further on the fact that, there is a good reason why Kenya was formerly called the 'White Man's Country in many ways truly (and as with this speaking in all again, of presenting/formatting Knowledge in Kenya, and from a more or less 'European' fashion that is, and that in all again, African (and not 'African' either), and as with regards to formatting/presenting Knowledge in Abyssinia, has always meant Cushitic actually (and with Nubian/Sudanese on the otherhand, speaking specifically of African in all, and in a rather political manner that is)}.

http://www.youtube.com/watch?v=8SC8-UIO7bY

In many ways truly, all this perhaps does call for perceiving Africa/African, from a 'Life force' perspective actually {and not that of Rhythm, Soul and Spirit either}, and that in all again, one does find that the 'Life force' in Abyssinia {Ethiopia, Kenya, Somalia}, does differ from that in the rest of Africa {and as with furtherly saying that, Water bodies in Kenya, do possess a 'Life force' somewhat similar to that seen/found in Europe, and with that in Ethiopia on the otherhand, somewhat unique in its ways actually but highly different in all too even, from the rest of Africa that is (and as with it somewhat Indian, Russian and even Brazilian perhaps (but in all ways again, truly not)), and with that in Somalia again, very much similar in all, to that seen in Egypt actually (and as with Egypt too even, simply having a different 'Life force' in all, from that seen in the rest of Africa actually and minus Abyssinia too that is)} {and with Rhythm, Spirit and Soul in Abyssinia (Ethiopia, Kenya, Somalia), having been rather Eclectic in nature (and as with personal taste that is), and heavily even, Communal/Community based too that is (and never National or Historical too actually (and as with most of Africa too that is))} {and as with furtherly stating that, Kenya today, is far more 'European' in nature, than most believe it to be (and as with speak too even, of its utilizing European Knowledge Bodies in all and far more successfully, than other African Countries, and who in many ways, have to develop Native Knowledge Systems in order to be able to survive that is)}.

In having said all this is to furtherly say that, Abyssinia in all, does require a formalized kind of 'Tribal/Ethnographic Art', that in many ways and at the very least even, does present/format Knowledge in all, and in a rather "European' fashion too actually {and as with hints too even, of the African in it, mirroring the Egyptian that is} {and all this again speaking of the 'Life force' actually (and as with it the best way in all, to perceive Africa that is (and as with Botswana too even)), and not Rhythm, Spirit and Soul either (and with Africa in all again,often highly presented/misrepresented in all and such that, a rather erroneous picture of Africa in itself, is actually given out in all (and as with Africa too, highly diverse and as with regards to Rhythm, Spirit and Soul that is), and futhermore, there are those who do deny the obvious fact that, Egypt in all, is actually truly on the African Continent in itself actually (and as with speak too even of the 'Life force' that is))} {and with Egypt on the otherhand somewhat even, having borrowed Rhythm, Soul and Spirit in all again (and in some ways too that is), from Greece/'Aegyptus' too that is}.

In all ways again is to propose/recommend that what they do term 'Vocal Music' in all (and as with speak too even of 'Vocal Artists' that is), and speak furtherly of music and such as that of Bonnie Tyler, Jennifer Rush, Kim Wilde, Irene Cara, Chris de Burgh, Paul Young, Milli Vanilli, Glenn Medeiros, Peter Cetera and Foreigner too even, as 'Tribal/Ethnographic Art' highly suited for Abyssinia that is {and as with this music even, highly concentrating on 'Knowledge Networks' in all (and as with furtherly stating that, 'Tribal/Ethnographic Art" is not primarily simply based on presentation/formatting modes in all, but in all ways too even, on 'Life force' in itself actually (and not Rhythm, Spirit and Soul and as many today, often tend to falsely claim/believe that is))} {and as with also stating that, everyday natural sounds in all, have to do with the 'Life force' in all again, and not Rhythm, Spirit and Soul either (and as with the false belief that Africa does sound terrible in all too even, and when it does come to natural sounds that is (and as compared to old India or Europe too actually), and when in reality, it does sound rather wonderful in all (and as with any movie even, having Egyptian themes to it actually), but in all again truly saying that, it was Ancient Greece in all, that did truly sound the best of them all actually (and as with natural sounds in all again, what electronic digital/analog equipment in all too really, truly does refer to as Audio/Video Signaling in all too really (and as with real life too, highly capable in all, of very much looking like the movies do actually)} {in all again, 'Tribal/Ethnographic Art' in Abyssinia, should at the very least be similar to that of the Bantu peoples of Cameroon, and as with it even, more or less Egyptian like in its ways actually (and as with speak too even, of some of the better Nollywood movies that is)}.


http://www.youtube.com/watch?v=0dtz6BVysjQ

'the Moor'

The Kingdom of Heaven

The Kingdom of Heaven.

@ a Grand Vision in many ways truly, and for the very existence in itself, of Abyssinia actually {and as with further speak too even, of not only Phenomenology and Existential Philosophy in all too even, but also truly, the very large problem in all too really, of Self-Conceptualization and as with speak too even, of everyday living in Abyssinia that is (and as with it a place in all again, where History in all too really, never truly does occur in a more or less linear fashion, but highly in all again, in a rather non-linear fashion actually)}.


'the Christian'

Recreation

Recreation and Abyssinia.

If you were to travel to Abyssinia, and in many ways even, simply wanted to enjoy oneself, take a photo or two, and simply in all again tell everyone you did meet after, that you actually did kind of truly like it even, what exactly in all, would you then have to do?

Speaking of Recreation and Abyssinia, is not too easy as in stating that, there is a population:'resource allocation' ratio, that is highly mismatched in all too even {and as in stating that, the current population of 'Nairobi' in all again, is highly mismatched in all and to that of its recreational facilities, and an excellent way in all too even, of merely judging just how big in all again, the population of 'Nairobi' should truly in all be like actually (and as with speak too even, of Socio-Economic Indicators, and as with they even, the best forms of Economic Indicators in all, to be used to help run Nairobi that is (and all this too, speaking even of the LSE: London School of Economics too actually))}.

In all ways though perhaps, bags already packed, you are now in somewhat mainly crowded Nairobi, the question then truly becomes, exactly what should one do? In many cases, Kenya's modern Tourism Packages, do highly pale to those seen in the past actually {and as with the Tourism Industry in Kenya simply 'backsliding' in all, and as compared to the 30's too actually}, but in all ways even, if one can put up with the inconveniences of having to live in a place with poor Socio-Economic Indicators in all again {or even, the overcrowding of many a recreational spot actually}, here is something in all, to help those in Abyssinia in the present {'the Savannah', 'the Plains', the 'Arid areas'}, simply in all again, know exactly what to do with their free time actually.

The Savannah: Social/Gaming Clubs



The Plains: Country Hotel's



The Arid areas: Popular Clubs




Photo notations:

the Carnivore Restaurant {with it in all again, not a true Restaurant in all, the Carnivore Restaurant, is actually more or less a Social/Gaming Club, and a place in all again, where Social groups of people in all, do agree to meet and interact with each other (meaning in all again, you just don't go to the Carnivore by yourself, but instead, make prior arrangements with a Social group in all again, to go out there, and interact in all too really, with other such Social Groups: and whether amicably or not); to explain this much better is to say that, if you do like in all, visiting Social/Gaming Clubs, then in all again, and as with speak too of 'Nairobi' that is, you should be aware that, it does go well hand in hand, with a (Personal) Car culture, the visiting of Popular Lounges, and finally in all again, relaxation, and as based around National Game Parks & Reserves too actually (and that in all again, viewing life in all and from the Socio-Economic and Employment perspectives that is, is viewing all this again, from employment as based around Game Parks/Reserves, Popular Lounges (and as with Drinks for example), and finally in all too even, Cars in themselves actually)}; the Norfolk Hotel {with it in all again, a Country Hotel actually, it is in all ways even, a place where those cultured (and in a rather 'Anglaise' manner too actually, and as with the case even, of 'the Magus' and by John Fowles actually), do agree to meet in all, and unannounced too actually, and in all ways too even, party in all again, while acting freely, and making all kinds of wild suggestions in all too even. In all ways, a way of socializing (and as with outsiders brought in by a reveler in all, highly made to feel welcome that is), that does go along with the culture of Public Transport, Home/House Parties, and finally in all again, the visiting of Sports Clubs/Grounds (and as with all these three even, capable of serving as basic Employment in all again, and for those in 'Durnham-Nairobi' too that is (and as with speak too even, of life as based around Residences in and about Nairobi in itself: Karen/Lakeview, Lavington, Muthaiga etc.)}; the Florida Night Club {for those in the 'Arid areas', the visiting of Popular Night Clubs in all, has been a historical pastime, and from the times too even, of Colonialism in itself actually (and as with speak too even, of riots in all and as seen in Nairobi during the Colonial times, highly based around this in all too really), but in all again, all this too highly associated in all with a culture of Popular Eateries, Pedestrian cultures, and finally in all again, the Hoteling Industry in itself actually (and as with these three in all, serving as easy forms of employment in all too even, and for those in the 'Arid areas' too that is (and as with further speak too even, of small-scale Agricultural practises and such as those promoted by the Co-operative Movement in Kenya, producing foods in all again, and as with regards to all this actually))}

Basic Religion

Basic Religion.



Religion and Community.

Ritual

Ritual.

The foremost book posted above 'The Bolter: Idina Sackville' speaks in many ways, of not only life and as once seen in Karen/Lakeview, 'Nairobi' too, and in the 30's too actually, but in many ways truly, life as based around Ritual in all, and even truly again, the Wilson Airport and in Nairobi too that is {and speak too even, of memories of Karen Blixen that is}.

To speak of Ritual and Africa, is to in all say that, of all the components of fundamental living in Africa {Ritual, Community, Traditions}, it is Ritual, that is the most fundamental and important, of all these three, and as with regards, to general survival in Africa that is. Having said this is to also say that, many an African population today, cannot be said to be genuinely African, and as with furtherly stating that, most so called African tribes, have poor or zero even, knowledge, and of Ritual in all {and as with stating even that, genuine African History and as with Ritual too, can be truly summarized by the Khoi/Bushmen, the Pygmies of Central Africa, the Fulani/Woodabe, the Egyptians, and finally in all too really, the Victorians too actually}. Sounds controversial, but what separates the above groups from other Africans {and including Nubians too actually}, is the very fact that, they did ground their lives in all, in Ritual {and as with it highly important in Africa, for general survival too that is} {and as with also stating that, the Victorians in Kenya, actually did look very much like how Africans in all, who do know and understand Africa (and as the Egyptians did too), do actually look like, and as with most Africans today (and as with their borrowing culture from elsewhere even), looking very much like peoples from the Middle East in all, Asians, Westerners, and Moderners in all too really (or Urbanized folks that is)}.

The problems with most Africans {and including the Libyans and Nubians of old even (and who in all again, never did truly know whom they were in Africa actually)}, is how in all again, they do conceptualize Ritual, Community and Traditions in all. That in all, while the Egyptians for instance, heavily grounded their lives in Ritual {and as with Community and Traditions coming in later on}, most in Africa {and including the Libyans and Nubians of old too actually}, actually in all did design their societies, as primarily based around Community in all, followed by Ritual, and then Traditions {and in all ways truly, life in all, that one can truly ascribe to as being Modern and in all ways too even}.

While Europe too, had its life/evolution in all, heavily grounded in Arthurian/Celt Ritual {and as with what even, makes Europe somewhat Egyptian} {and with the Celts too in all, having had some Egyptian like Rituals amongst them}, it is important for those in Abyssinia in all again, {Ethiopia, Kenya, Somalia}, to truly learn how to ground their lives in Ritual, and not Community either {or wind up creating the very same kind of chaos, seen in the rest of Africa today, and where life in all again is heavily lived primarily, around Community actually} {and Community too, not grounded in any form of spiritual/religious tradition for instance, but merely in all again, on simple friendships even}. In all, the advised pattern is Ritual -> Community -> Traditions {but with life in Europe on the otherhand, having been based on Ritual -> Traditions -> Community}.


Hasta luego

'Arthur

The Eastern Africa Flag

The Flag of Eastern Africa.



@@ and as with Eastern Africa in all, best centered around Eritrea actually {and as with giving the rather useless country of Eritrea in all again, a true purpose/reason for existing that is}.

The French Flag

The French Flag.



With it in all actually, the former Flag of the French Republic, and a Flag too in all, of Catalan {French/Italian Moors} origins and in all ways truly.


'the Moor'

Eastern Africa

Eastern Africa.

For a region in all ways even, highly defined by Womens/Gender Issues {and as with speak too even, of Inferiority Complexes, Slavery, Security, Education etc.}, Eastern Africa {Sudan, Djibouti, Eritrea, Kenya, Ethiopia, Somalia, Uganda & Tanzania}, is in many ways truly, Abyssinia's {Ethiopia, Kenya, Somalia} main connection, to the Middle East actually {and as with further speak even, of so called 'African' races, and as versus 'Arabian' races too that is}.

In all ways truly, is to attempt to deal with just about any Issue arising from this region in all again, as highly based around Bible based Media actually {and as with speak too even, of a thought-provoking article in all, and as inspired by the Bible in itself actually}, and as in saying truly that, such Bible based Media {and as with American Christian Fundamentalist Groups even}, should be inspired in many ways truly, towards detaching this region in all again, Eastern Africa, from the Middle East and in all ways truly {and as with it even, 'Bible based Media' that is, readily promoting in all, any form or kind of differences, and between these two places and in all too really}.

@@ and with the Kiswahili version of the African Bible Commentary ('Ufafanuzi wa Biblia'), highly recommended in all, and as versus the English version, and due in all again, to worries pertaining, to the kind of English used in all, in the English version that is.






Tack

Austin

Kenya

Kenya.

A place in all again, often popularly referred to as 'White Man's Country' (and as with speak too even, of the 'White Highlands' that is) {and all this too, speaking even of, Authoritative figures, Presentation skills and Conventional Wisdom in all}, is now in all again, best referred to as Catalan Country {and as with changing its name too even, from the more or less hemingway-esque Kenya, and to the Catalan spelling of Kenia too actually}.





Merci

Raoul

East Africa

East Africa.



As with it said to consist of the three countries of Kenya, Uganda and Tanzania in all, and in many ways too even, it in all again having come to be strongly defined in ll too even, by Asians/Indians from the Middle East & Asia actually {and as with Commercial Activity too that is}, East Africa is now best perceived as Arab country {and as with not only Philosophical musings & Arab Scholarship that is}, but all this too also, highly centered around the Web/Internet Server {and accompanying Website too of course}.


'the Moor'

The Airport

The Airport.



With Urban & City Planning in all, and in Abyssinia too {Ethiopia, Kenya, Somalia}, supposed in all again, to have been centered around the Airport actually, and not the Shopping Center either. To best understand this is to in all say that, most Urban & City Planning today, tends to be highly in all again, centered around Shopping Centers (and of all kinds that is), Road Networks, and Commercial Media of all kinds too really.

With Abyssinia though, the original plan for 'Nairobi' for instance, was to have it centered around Airports in all too really, Road Systems, and finally in all again, the Design Industries actually {and with the Design Industry, differing from Media in all, in that, Media is highly based around Presentation Skills actually, and with Commercial Design on the otherhand, highly based around Visual Communications / Conversation Skills in all too really} {and with Road Networks too, rather highly Social or Political in their ways, but with Road Systems on the otherhand, highly based around Official Communications and in all ways too even}.




Farvel

'the European Moor'

Self-Education

Self-Education and Abyssinia.



@@ and with Isaac Newton too, actually having been Scottish (and Brownskinned too), and not Jewish or English either {and as with speak too of Western/Modern Thought that is}.

The Great Sphinx

The Great Sphinx.



Egypt!! - the Romance never does die. What in many ways, were the key characteristics that did surround in all, the very rise of a many a Civilization, and from mere shards of Pottery too actually. For Egypt in many ways, it had to do, with the generation of rather many small Ideas in all, that with time again, could be very well put together, and in one way or another too {or even truly again, grow into something big, and very much on their own too actually}. For Greece, it had to do with truly understanding in all too even, what did truly in all again, did constitute a Dream, or a Vision too actually {and as with speak of Reality that is} {and one of the main reasons why, many a scholar or student of Greece in itself, do tend to misrepresent it in many ways: and as with stating that, Greece did not highly evolve around Greek Politics in all, but in many ways truly, based on understanding/proving, a Dream or Vision and in many ways truly} {in all ways though, Greece was truly in all again, the freest place on Earth probably, and as any Dream or Vision attained, was given full consideration in all too even, and in making it manifest actually (and in all ways again, the attempts to make Abyssinia real, does follow this Model in all ways even)}. For Italy on the otherhand, it had do with the fact that the Italian Language, is probably the most developed of all Languages known to Man, and enabling Italians in all again, to think as freely and wildly, as they possibly could/can.



When one thinks of Egypt and Abyssinia, one in many ways truly, should think the Great Sphinx {and not 'Aegyptus' truly either}. The Great Sphinx too, and as with thoughts of Architecture, or even Cultural manifestations in themselves, but as with saying truly that, the Sphinx in itself, does truly represent many things. On one hand, and as mentioned much previously before, the Great Sphinx can be viewed from its housing in all, thousands (and if not more) of Human faces, that do represent, Spirituality in all {and as based around MA'AT too actually}. Another way of viewing the Sphinx, is from its Animal/Human form {and as with saying truly that, nearly all of Egypt's Gods & Goddesses, did emanate in many ways, from the Sphinx in itself actually}. A third way of viewing the Sphinx is from the perspective of it housing in all again, lots of other smaller in all, Sphinxes {and as with the Sphinx in all too, viewed a cornerstone in all too even, of not only how Architecture in Egypt was perceived in all again, but in many ways truly, it serving in all too really, as a centerpiece in all too even, of Official Communications and as seen, in Egypt in itself actually}. A fourth way of viewing the Sphinx again {and as associated with Moors too actually}, spoke in all ways even, of viewing the Sphinx from not only its Headdress, but also in all ways too even, from Conscious States actually {and in many ways too even, the very way the Pharaohs of Egypt, did view the Sphinx in all too really}.



There is however in all, a fifth way in all too even, of viewing the Sphinx actually, and as with it even, perfect for Abyssinia that is. This in many ways truly, speaks of viewing the Sphinx in all, from its Geometrical proportions {and as with they even, believed perfect and from more or less, a Mathematical perspective that is} {and as with speak too even, of Sacred Geometry that is}, and proportions too, not only to be applied to Architecture in itself, but in all ways too even, speaking of not only Architecture, but also Culture in itself, and in all ways truly even {and as with speak too even of Archimedean Geometry that is}, all this studied from the perspectives of Volume, Area, Surfaces and even Time based Dimensions and in all too actually {and as with saying that, there is a way of thinking about Culture in all, highly based around this i.e. Volume etc., and in many ways too actually, a good example of this, would be what they do call Psychedelia in all too really} {and with Psychedelia too, somewhat in many ways truly known (but more or less from a Spiritual/Sociological/Healing perspective that is), and to many a North American Native Indian 'tribe' actually}.


'the Moor'